Ongoing PhD Theses in Algomus

Some recent or current Algomus projects

ANIMA, Interactive Microtonal Compositional Assistant

ZgotmplZ

In collaboration with the MTG (Barcelona), ANIMA develops a theoretical and practical computational framework for microtonal music co-creation, focusing on 53-TET tuning. It combines computational modeling with music theory and computational musicology, to design new harmonic models, and build interactive visualisation tools for real-time experimentation.
➡️ Publication NIME 2025 // ANIMA at MTG

Co-creative Music Generation with Ur

Holly Herndon

Ur is a modular generative framework for co-creative music and other artistic artifacts. It is based on concepts from procedural generation, combined with ideas from machine learning and computational creativity.
➡️ Code // Holly Herndon’s Exhibitions The Call (London, 2024) and Starmirror (Berlin, 2025)

Dezrann, Interacting, Sharing, Analyzing Music Corpora

Analysis of the Bach fugue in C minor BWV847 with Dezrann

Dezrann is an open web platform designed to listen to, study, and annotate music. Users directly interact with views on music sources, such as scores, waveforms, grids, or piano rolls. Dezrann’s applications span music education, as well as corpus annotation and interaction for research in musicology and computer music.
➡️ Details // Dezrann web app // Code // Publication TISMIR 2025

MICCDroP, Co-Creative Design for Long-Term Human-AI Musical Partnerships

MICCDroP

MICCDroP explores AI methods for lifelong learning and agent personalization within music generation, using reinforcement and curiosity-driven learning. Its impact on artistic collaborations will be evaluated through the lenses of ethnographic studies and computational creativity theory.
➡️ Website (soon) // ANR MICCDroP

MusiScale, Multiscale Structure of Music

MusiScale

Lead by F. Levé (UPJV, associate member of CRIStAL/Algomus), the ANR MusiScale project will develop methods and software analyzing music to extract and represent multiple structural levels, by identifying similarities and transformations across both audio and symbolic levels, and by providing tools to interact with that structure.
➡️ Website (soon) // The MADICS MusiScale 2022-2025 action

TABASCO, Tablature Assisted Composition

Guitar chords

Lead by L. Bigo (Univ. Bordeaux), the TABASCO project aims to develop algorithmic tools to assist guitar composition in contemporary music styles (pop, rock, metal, jazz, etc.). It studies how guitarists compose and how tablature software shapes their creative process.
➡️ Details // Publications // Alexandre D’Hooge PhD